Diamanti, Eleonora

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Eleonora Diamanti teaches courses in media studies and social sciences, from core courses such as Media, Culture and Society to Introduction to Visual Culture to more specialized courses on urban culture such as Urban Media and Rome Modern City. Professor Diamanti holds a Ph.D. in Semiotics (2015) from the Université du Québec à Montréal (UQAM) and she is a former post-doctoral fellow at McGill University’s School of Architecture where she was affiliated to the Facility for Architectural Research in Media and Mediation and the Department of Anthropology, University of Victoria, where she was also limited-term Assistant professor. Her main research interests in festivals, media, and the city brought her to work on nocturnal practices: from entertainment venues, like Italian discotheques, to radical spaces at night through an aesthetic creative approach. She has recently published the co-edited issue “Nocturnal Ethnographies” (2022) and she has submitted a book manuscript titled “Night Cinemas: Documentary and Audiovisual Ethnography in Cuba” (2024). The book stems from long-standing research on the night in Eastern Cuba, and was preceded by the short experimental and ethnographic film, co-directed with Alexandrine Boudreault-Fournier, “Guardians of the Night” (2018) on the night in Eastern Cuba. Professor Diamanti takes a special interest in creative feminist writing and multimodal projects. In 2022, she co-curated an online exhibit on visual activism in Guantanamo for the “After Progress digital exhibition” and in 2024 she took part with a multi-media installation in the “Night Scenes” exhibit organized by the Atelier de chronotopie urbaine of UQAM at the Nuit Blanche in Montréal.

Publication Search Results

Now showing 1 - 4 of 4
  • Publication
    Octopuses, remoras, and surfers: speculative stories from the offline space of digital circulation in Cuba
    (Taylor and Francis, 2023) Diamanti, Eleonora; Favero, Paolo S. H.
    This paper focuses on the inventive everyday digital practices that Cubans have put into place to surf the waves of digital scarcity. The paper itself is an experiment in what Donna Haraway calls SF stories (Science Fiction, Speculative Fabulation or Speculative Feminism). We will engage in a process of speculative narrative exploring stories about digital practices in Cuba by connecting them to the animal world. Through the use of metaphors belonging to the world of aquatic creatures emerging in our collaborators’ stories, we will address everyday digital practices as symbiotic assemblages. We argue that the speculative mixture of fabulation and aquatic metaphors can function as an antidote to simple dualistic reductions, perhaps offering a critical understanding of the meaning of digital technologies outside Western deterministic and dualistic categories. Part of a larger project on digital culture in Cuba, this paper aims to present a speculative work of fabulation where the animal world meets technology, creative writing and situated stories.
  • Publication
    Sensing the Night: Nocturnal Filmmaking in Guantánamo, Cuba
    (2021) Diamanti, Eleonora; Boudreault-Fournier, Alexandrine
    Guardians of the Night (2018) is a short-length film set in Guantánamo, Cuba, that aims to engage with a temporal scape too long disregarded by visual anthropologists: the night. This article, written by the filmmakers, reflects on some of the challenges and opportunities offered by the night for ethnographic fieldwork, filmmaking, and more specifically, sound recording. We locate our work as part of a movement to recognize the night as a spatiotemporal dimension that should be explored further from a sensorial perspective and outside the diecentric focus that social sciences have established in their approaches to social and cultural phenomena.
  • Publication
    Introduction: Teaching Urban Media
    (2024) Diamanti, Eleonora
    Eleonora Diamanti discusses designing the syllabus for her course "Urban Media" and introduces the essays in the Student Voices section.
  • Publication
    Spray without politics? Contrasting street-based perceptions and computer vision framings of graffitied Rome
    (Sage, 2023) Levy, Helton; Diamanti, Eleonora
    The city of Rome has been a contested site for unauthorized graffiti since antiquity. Modern times have seen graffiti practices endure in their disruptive form and viral versions of digital street art. This paper applies critical, speculative methods to approximate distinct areas of graffiti research into a common framework of analysis. The idea was to offer insights into graffiti audiencing on digital and street-based spheres of perception while discussing the method’s limitations. After listing convergences and divergences between human-centric and algorithm-centric viewpoints, results revealed an interesting set of details uniquely brought up by computer vision metadata, but which, in turn, exposed limitations in recgonizing graffiti as a politicized practice with deep radical roots.