John Cabot University ScholarShip

Recent Submissions

  • Publication
    Nocturnal Rhythms and Collective Practices
    (2018) Diamanti, Eleonora
    Choreographies of assembly are grounded in the relationship between urban design and collective, bodily modes of reproducing, inhabiting, and reimagining urban space. Through a case study of urban regeneration, culture-led development, and social movements in Montreal, this article examines the particular nocturnal spatio-temporal rhythms of gathering in public space. For a long time, the night was left in the shadows by urban development experts who focus their attention on daytime plans and activities. However, following the rise of nighttime economies, sleepless societies, and ‘24/7’ cities, the night has received increasing attention since the 1990s (Crary; Gwiazdzinski and Straw). Critical engagements with the night as an object of study have shed light upon temporality, rhythms, and links between space and time. Such perspectives rethink urban life in terms of rhythm. Drawing from Henri Lefebvre’s theory of “rhythmanalysis,” this article focuses on the aesthetic, bodily, and sensorial experiences of collective practices. This article takes up Lefebvre’s notion of polyrhythmia—the idea that the living body is an association of a multiplicity of rhythms—to study the polyrhythmic qualities of collective and bodily practices in urban space at night. This night-focused study draws out the complex relations between collectivity, movements, and urban design. Moreover, a rhythmic study of the city at night foregrounds the multimodal perception process, following James Gibson’s theory of ecological perception. Hence, this article asks: how does the night affect our collective experience of the city?
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    Blockchain Technology and Supply Chain Transformation in the Pharmaceutical Sector: A Case Study of Pfizer and Comparative Industry Analysis
    (2025) Fasulo, Giulia; Leurini, Giulia
    This study investigates how blockchain technology enhances coordination within the global pharmaceutical supply chain, using Pfizer as a primary case study and comparing it with Johnson & Johnson, AbbVie, Merck & Co., and La Roche Ltd. The research addresses the critical issue of counterfeit pharmaceuticals, which affects over 50% of drug distribution in developing countries, and explores how the integration of blockchain technology in international pharmaceutical supply chains can mitigate such risks. The purpose is to assess blockchain’s potential to improve traceability, operational efficiency, transparency, and regulatory compliance across complex global networks. Our findings based on primarily secondary data sources indicate that blockchain adoption— especially by Pfizer through initiatives like the MediLedger Project—has significantly strengthened pharmaceutical supply chain integrity. The study also identifies barriers to adoption, including scalability issues and regulatory misalignment, particularly in less developed markets. The practical implications suggest that while blockchain is not yet widely implemented across all pharmaceutical giants, it is emerging as a strategic differentiator for companies seeking to enhance supply chain security, comply with global regulations, and protect consumer trust.
  • Publication
    Mirror Acts: Dramatic Form in Pirandello’s Six Characters in Search of an Author and Beckett’s Waiting for Godot
    (2024) Sacchetti, Livia
    Pirandello is among the first playwrights to reshape the very notion of theatre and pave the way for a postmodern understanding of the human. By fixing one of drama’s cardinal axes—space—and making it simultaneously literal and inherently static—Pirandello frees the other—time—thereby undoing the core of the dramatic arc. This simple shift repositions both plot and characters, placing them in a cosmology which tauntingly ignores them. Their experience—and by extension the human experience—becomes inherently aimless. In this latter light, Pirandello’s characters are an anticipation of Beckett’s. While this is indubitably an important point of contact between the two, it is the similarity in their structural redefinition of spacetime, that allows both to pave the way for a pivotal revolution of form that will bloom in the works of their heirs—Pinter and Stoppard, primarily—and anticipate postdramatic theatre. In this light, Six Characters in Search of an Author, first staged in Rome and Paris in 1921 a time when Beckett would have been exposed to a response to it, plants a lasting seed.
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