John Cabot University ScholarShip
ScholarShip is the digital repository at John Cabot University. It provides an online space designed to archive, organize, preserve, and make accessible the digital scholarship faculty and students produce, showcasing the accomplishments of the University’s scholarly community.
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Item Gender, Conflict, and Health: Evaluating Women's Access to Healthcare in Afghanistan, the DRC, and Rwanda(2025)This research investigates how gender-focused policies implemented during and after the conflicts in Afghanistan, the Democratic Republic of Congo (DRC), and Rwanda, improved or worsened the access of women to healthcare services and their right to health. Although post-conflict reconstruction and feminist theories provide important conceptual foundations for addressing gender disparities, their influence on policy and practice has often been limited or superficial. Through a comparative analysis of gender policy development across differing conflict timelines, this study reveals how the superficial or delayed application of feminist principles has resulted in persistent health inequities and systemic neglect of women’s needs—particularly in Afghanistan and the DRC, where instability continues. Rwanda, by contrast, demonstrates how sustained, feminist-informed policymaking can positively shape women's health outcomes in post-conflict settings. The research argues that the failure to institutionalize gender-sensitive health reforms undermine peacebuilding and entrenches long-term gender inequality. Further, it calls for a more profound commitment to feminist perspectives in transitional governance, emphasizing that women’s health must be central to any meaningful recovery effort.Item Ettore De Maria Bergler’s Pictorial Cycle in the Villa Igiea: The Unfolding of Sicily’s International Identity through Stile Floreale(2025)In the final decades of the nineteenth century, many European nations developed artistic styles specific of their fin-de-siècle nation-building context that were nonetheless internationalist and broadly pan-European. Italy defined its own in the Stile Floreale, where a national effort to communicate in an international language was made. The Sala degli Specchi stands as a case study for this: in Sicily, the painter Ettore De Maria Bergler expressed the complex relations of regionalism, nationalism and internationalism, in his program for the painted cycle of the Sala degli Specchi in the Grand Hotel Villa Igiea, Palermo, which he completed between 1899 and 1900. Although the various declensions of Stile Floreale–namely, Art Nouveau–have received substantial attention in international scholarship, Italian research remains uneven, particularly regarding its regional inflections and its capacity to articulate broader ideological concerns in the decades following political unification. The Villa Igiea decorations have largely been approached through the figure of the architect Ernesto Basile or through celebratory narratives of Bergler’s artistic “genius,” leaving underexplored the cultural ambitions of the Florio family, their industrial bourgeois taste that ultimately shaped the commission, and the circulation of European decorative language. This thesis, therefore, aims to broaden the understanding of Stile Floreale within the regional landscape of Sicily, the national fin-de-siècle Italian environment, and its international nature. A socio-political framework situates the cycle within post-Unification Italy, drawing on the questione meridionale to examine tensions between northern and southern Italy and to assess how Sicily’s cultural position informed the commission. This is complemented by iconographical analysis to elucidate how Bergler synthesised local motifs with European language of Art Nouveau. This integrated approach reveals a new iii interpretative model for understanding the Stile Floreale and provides a foundation for future comparative studies of regional modernisms within transnational turn of the century environments.Item “Alatiel” Cassoni Nuziali: An Investigation of Artistic Agency, Reception, and Materiality in Fifteenth-Century Florence(2025)In fifteenth-century Florentine society, the commission of furniture for wealthy households was closely associated with the celebration of major life events. In Tuscany, numerous botteghe, or workshops, were involved in the crafting of luxury household items that commemorated occasions such as weddings and births. Apollonio di Giovanni and Marco del Buono owned one of the most prolific workshops in quattrocento Florence. The bottega produced different types of luxury goods such as deschi da parto, spalliere, and cassoni nuziali. The objects were richly decorated with visual narratives derived from myths and both ancient and contemporary literature. These luxury objects were strongly connected to the community life of Florentine society. This thesis examines two panels once belonging to a pair of wedding chests produced in the workshop of Apollonio di Giovanni. Currently in the collection of the Museo Correr in Venice, they depict the novella of Alatiel, from Giovanni Boccaccio’s Decameron. At first, the storyline of the novella does not seem an appropriate narrative for the commemoration of a wedding; the protagonist eventually feigns her chastity despite her relationships with several men over four years. Furthermore, the pictorial rendition of the story on the panels derives from the novella. However, the panels do not depict the entire story, but rather a selection of episodes. In this thesis, I investigate the choices and motives behind the selective visual retelling of the novella. Through the critical framework of intermediality, I address the ways in which the highly sophisticated visual programs of the panels play with the textual source. The panels show interest in troubling characters’ identification, rejecting the novella’s original chronology, reflecting the object’s function, and recalling contemporary literature themes, such as memory. This thesis argues for the recognition of an intellectually committed artist and audience by analyzing the visual reaction to the novella, focusing on the quattrocento Florence reception and engagement with the cassone.Item The House that Refuses to End: Shaping the Collective-Self in Friedrich Kiesler’s Endless House(2025)This thesis examines Friedrich Kiesler’s Endless House—an unbuilt architectural project developed between 1944 and 1965—as the expression of a transhistorical concept of dwelling that counters the passive existential mode Kiesler attributed to Functionalism. Rather than interpreting the Endless House solely through its opposition to the dominant International Style, or reduced to its seemingly Surrealist form, or through Kiesler’s connections with the New York émigré avant-garde, this study positions the project as the culmination of his artistic trajectory by foregrounding Correalism and the ideas posthumously collected in Magic Architecture. Correalism, a porte-manteau of “correlation” and “realism,” articulates a relational pseudo-scientific vision of architecture in which human beings and their environments co-constitute one another in a continuous, dynamic field. Through an analysis of the Endless House’s form, material proposals, sensorial experience, and intended rituals of inhabitation, the thesis argues that Kiesler sought to replace Modernist universalism with a model of “endless” becoming grounded in primordial continuity between humans and their environments. Turning to anthropology, theater, and phenomenology, Kiesler developed an architecture of participation: one that dissolves the boundaries between stage and life, actor and inhabitant, shelter and organism. In this light, the Endless House can be read as a generator of active, ritualized domestic existence as a space that transforms passive routine into performative consciousness and collective renewal. Never realized, the Endless House gains conceptual force precisely through its speculative condition because it embraces process over finality. As an organism, rather than a building, it proposes an alternate paradigm of dwelling in which domesticity encourages heightened consciousness, environmental awareness, and a reimagined relation between individual and collective becoming.Item Transforming Ceasefires: The Legal and Institutional Foundations of Sustainable Peace(2025)This thesis examines why ceasefire agreements, despite their central role in halting violence and facilitating diplomatic engagement, often collapse shortly after their implementation. Although international humanitarian law and the United Nations Charter provide extensive regulation of armed conflict, no comparable legal or institutional framework regulates ceasefires themselves. This gap raises the central research question: can international law evolve from regulating the conduct of war to codifying the maintenance of peace through structured, enforceable ceasefire mechanisms? To explore this question, the study employs doctrinal legal analysis combined with comparative case studies of four conflicts: the India-Pakistan ceasefire along the Line of Control, Gaza-Israel ceasefire arrangements between 2008 and 2025, the Colombian government’s ceasefire with the FARC, and repeated ceasefire failures in Sudan. Each case is examined through two criteria: the clarity and legal precision of ceasefire obligations, and the strength of institutional oversight monitoring and enforcing compliance. Findings across the cases reveal a consistent pattern. Ceasefires lacking standardized procedures, independent monitoring, or credible enforcement mechanisms are prone to rapid failure. The Gaza-Israel and Sudan cases illustrate how power symmetry, fragmented command structures, and political interference undermine ceasefire stability. By contrast, relatively successful ceasefire in Kashmir and Colombia demonstrate that durable implementation depends on robust institutional support, whether through United Nations monitoring missions or inclusive negotiation frameworks supported by political will and domestic capacity. Based on these insights, the thesis argues that ceasefires should be reconceptualized as legally codified and institutionally supervised processes, not merely temporary political pauses. It proposes a dual framework: (1) establishing standardized legal guidelines that define obligations, procedures, verification standards, and consequences for violations; and (2) creating impartial monitoring and enforcement bodies under international or regional authority to ensure compliance. The thesis concludes that while no legal structure can resolve deep-rooted political disputes, a coherent and enforceable ceasefire framework would significantly reduce conflict relapses, improve civilian protection, and strengthen long-term international peace and security.
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