Grego, Alessandra

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Alessandra Grego was born in London and raised in Rome, where she studied Modern Languages at Sapienza University, earning a PhD in English Literature in 2004 with a thesis on the function of mythical narratives in the novels of the Victorian realist George Eliot. She has taught English language and literature for over 20 years, both in Italian universities and at John Cabot University. Alongside a continuous interest in how and why stories are told and what effect they have on their readers, she cultivates a passion for design, illustration, and graphics, which she fostered quietly on the side until she found a way of combining her literary and visual interests in the pursuit of Digital Humanities. This relatively new approach to the study and pedagogy of literature through the use of digital tools provides, among other things, a way to visualize information about literature. She is a hand-drawn and CGI animation enthusiast, with a particular love for the movies of Miyazaki Hayao.

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  • Publication
    Knights
    (2025) Grego, Alessandra
    The medieval knight in his Victorian reincarnation, crystallised by Thomas Carlyle, provides a national and autochthonous model to counter the alienation produced by industrialisation and political unrest, and is a model which easily morphed into that equally protean entity that is the English gentleman. The Victorian gentleman is defined by Englishness and the common sense that is his birth-right, while Victorian women are increasingly excluded from this ancestry and from social activity. Arthur Donnithorne, Stephen Guest, Sir James Chettam and Heinleigh Grandcourt embody different versions of a common sense gentleman, and their behaviour is perfectly in line with what the world expects of them. Exploding the myth of the Victorian gentleman as knight, Evans shows their destructive, violent, predatory, and self-serving practices proving that the new myth of Victorian manliness adopts and perpetuates the same attitude towards women of the older narratives.