Lindsay, Jenn

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Jenn Lindsay is a social scientist, documentary filmmaker, and musician whose work explores social diversity, intercultural relations, community building, personal transformation and social change movements. She earned her Ph.D. from Boston University in the social science of religion, conducting ethnographic analysis of interreligious dialogue in Rome and in the Middle East, published in 2021 with the release of her book Pluralismo Vivo - Lived Religious Pluralism and Interfaith Dialogue in Rome. She also earned a Master of Divinity degree with an emphasis in Interfaith Relations at Union Theological Seminary in New York City, studied Playwriting at Stanford University and Theatre Management at Yale University School of Drama. Jenn Lindsay is also the Co-Founder and CEO of So Fare Films, a film production company in Rome which creates media about social diversity and offers an internship program for professional formation in media business, marketing, and production. For ten years prior to pursuing her Ph.D., Dr. Lindsay worked in the film and music industries in New York City, producing ten studio albums and serving as a story editor for MTV and the Sundance Channel. She has screened her films throughout the world, the topics ranging from an African Buddhist monk’s life and teachings, computer scientists simulating the spread of religious terrorism, the Indonesian Muslim headscarf, atheist Jews from Boston, and Italian hippies building artistic nativity displays. She served for six years as the video documentarian for the Center for Mind and Culture.

Publication Search Results

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  • Publication
    Documentary Film as Interreligious Dialogue: A Cognitive Perspective
    (2023) Lindsay, Jenn
    Research and personal experience affirm that watching a movie can change the way someone lives their life. Documentary storytelling is a multidimensional change agent, a digital media artifact that is rooted in real communities, real lives, and real stories. Because documentary is rooted in the human social world, watching it is a cognitively, psychologically, emotionally, socially, and politically complicated act. Thus, it is a potent medium for stimulating discourse, reflection, and behavioral change. This article explores the power of visual storytelling and positive media representation as a Parasocial-Relational form of interreligious dialogue and delves into practical application as it contemplates best practices for how filmmakers might harness that power, reviewing literature on the possible social, cognitive, and neurobiological impact of documentary. This interdisciplinary cognitive-sociological theory of change posits documentary film as a lever for increased interreligious competence because of its unique ability to disarm with visual storytelling and engaging characters, leading to a potentially reflexive experience of humanization and perceptual shift.
  • Publication
    Pay Them No Mind: the Influence of Implicit and Explicit Robot Mind Perception on the Right to be Protected
    (2021) Lindsay, Jenn; Bartneck, Christop; Eyssel, Friederik
    Mind perception is a fundamental part of anthropomorphism and has recently been suggested to be a dual process. The current research studied the influence of implicit and explicit mind perception on a robot’s right to be protected from abuse, both in terms of participants condemning abuse that befell the robot as well as in terms of participants’ tendency to humiliate the robot themselves. Results indicated that acceptability of robot abuse can be manipulated through explicit mind perception, yet are inconclusive about the influence of implicit mind perception. Interestingly, explicit attribution of mind to the robot did not make people less likely to mistreat the robot. This suggests that the relationship between a robot’s perceived mind and right to protection is far from straightforward, and has implications for researchers and engineers who want to tackle the issue of robot abuse.